Who Were the Achaeans Mentioned in Homers Epics

In the epic poems of Homer, the  Iliad and Odyssey, the poet uses lots of different terms to refer to the many different groups of Greeks who fought the Trojans. Lots of other playwrights and historians did the same, too. One of the most commonly used ones was Achaean, both to refer to the Greek forces as a whole and specifically  to people from the region of Achilless homeland or Mycenaeans, the followers of Agamemnon. For example, the Trojan Queen Hecuba laments her fate in Euripidess tragedy  Hercules when a herald tells her that the two sons of Atreus and the  Achaean  people are approaching Troy. The Origins of Achaean Mythologically, the term Achaean derives from a family from which most of the Greek tribes claimed descent. His name? Achaeus! In his play Ion, Euripides writes that a people called after him [Achaeus] will be marked out as having his name. Achaeuss brothers Hellen, Dorus, and Ion also supposedly fathered great swaths of Greeks. Archaeologists seeking to prove the Trojan War really happened also cite the similarity between the word Achaean and the Hittite word Ahhiyawa, which was  archaeologically attested in a bunch of Hittite texts. The people of Ahhiyawa, which sounds like Achaea, lived in western Turkey, as many Greeks later did. There was even a recorded conflict between the guys from Ahhiyawa and the people of Anatolia: perhaps the real-life Trojan War? Sources Achaeans The Concise Oxford Dictionary of Archaeology. Timothy Darvill. Oxford University Press, 2008.Achaea The Concise Oxford Companion to Classical Literature. Ed. M.C. Howatson and Ian Chilvers. Oxford University Press, 1996.The AchaeansWilliam K. PrenticeAmerican Journal of Archaeology, Vol. 33, No. 2 (Apr. - Jun., 1929), pp. 206-218 Ahhiyawa and Troy: A Case of Mistaken Identity?T. R. BryceHistoria: Zeitschrift fà ¼r Alte Geschichte, Vol. 26, No. 1 (1st Qtr., 1977), pp. 24-32

Essay on Film Analysis Into the Wild - 666 Words

Many live attempting to decipher the riddle of life. What is life? What is the purpose? What makes? Even though we only seek happiness why can’t we ever seem to achieve it? When we do reach happiness why can’t we seem to grasp it and hold it for more than the few short hours that pass like seconds? The question we must answer first is â€Å"What makes happiness, true?† In the film â€Å"Into the Wild† it shows Chris, a young adult, trying to make his way to Alaska. His beliefs in freedom and isolation from the modern world would drive him to go to Alaska in hope that he finds the so simple goal, happiness. He struggle sand faces obstacles that hinder him to his destination. Odd people, intelligent people, elderly people, young people; he met all†¦show more content†¦But what is the answer to the question of â€Å"What makes happiness true?† In the poem, â€Å"Happiness Is Not Comforts† by Dr. John Celes, it states â€Å"Happiness is in making and seeing the less fortunate ones, smile.† This can tell us that happiness isn’t just about personal desire but also about others around you. Happiness is nothing when everyone is sad around you. This poem also shows how sharing with others gives the feeling. The same characteristic are explained in all three pieces described. This poem answers the question by explaining that happiness is caused not by what you surround yourself by who you surround yourself with. It attempts to tell us that comforts are just empty feelings that fade quickly. But things like giving to others, showing love and compassion towards other, and going out of your way to do little things for someone is what gives a full happiness. The other poem that helps answer the question of what makes happiness real is in the poem â€Å"Happiness† by Juan OIivarez. The poem literally states that not being alone made him feel and experience true happiness. This list the things that makes him feel happy and it just the little simple things such as walking in the rain, going home and seeing family that he hasn’t seen in a long time. This piece answer the question by suggesting that little things and being with people that love you and want to be with you is what makes happiness true.Show MoreRelatedFilm Analysis : Into The Wild1429 Words   |  6 PagesInto the Wild The movie Into the Wild is about a young man who finished his university education and through everything away. He did this because he wanted to go into the wilderness to find answers to his questions to his life. There are multiple scenes that moved me when watching this movie. The first scene that moved me was during a campfire scene with Jan and Chris. They were talking and Jan said that â€Å"You look like a loved kid, be fair.† Chris answered â€Å"Rather than love, in money, in faith,Read MoreAnalysis Of The Film The Wild Country 1607 Words   |  7 PagesThe Wild Country is an action Western film set to be released in March 2018. I will be the director of the film, and will mainly take care of the visual aspect of the film. The first scene I will direct in the film is Scene IV. The spotting for the film will occur on November 24th, 2016. The first spotting session will consist of the type of content that will go along with the music in Scene IV. The meeting will be attended by the film composer Richard Marley along with our three music editors CindyRead MoreAnalysis Of The Film The Wild County 1759 Words   |  8 Pages The Wild County is a modern Spaghetti Western film set to be released on March 2018. I will be the director of the film, and will mainly take care of the visual aspect of the film. The film’s visual element takes inspiration from one of Sergio Leone’s prominent film Once Upon a Time in the West (1968). The first scene I will direct in the film is Scene IV. The spotting for the film will occur on November 24th, 2016. The first spotting session will mainly focus on arranging the music with the footageRead MoreFilm Analysis : Wild Strawberries 1797 Words   |  8 Pagesâ€Å"Film as dream, film as music. No art passes our conscience in the way that film does, and goes directly into our feelings, deep down into the dark rooms of our souls† (Ingmar Bergman). Ingmar Bergman’s fascination with the subconscious and dreams as they delve deep into one’s consciousness is evident in his work. To Bergman, cinema is quintessentially an alternate reality in whic h dreams can have a physical manifestation. The flexibility of cinema allows for Bergman to evoke dream-like qualitiesRead MoreAnalysis Of The Film Beasts Of The Southern Wild 1474 Words   |  6 Pages The film, Beasts of the Southern Wild, tell the story of a rural community called Bathtub in Southern Louisiana to induce themes of classism and community ties. Behn Zeitlin does a great job reminding us of our connection with each other and the world around us. The Americana aesthetic of the film mirrors our hero’s resiliency in the face of destruction. At stake in this aesthetic and exploration of these politically charged themes is an interpretation on how we can connect to each other acrossRead MoreAnalysis of the Film, Into the Wild, Directed by Sean Penn1085 Words   |  5 Pageswho does an outstanding job of portraying McCandless. McCandless’s parents are Walt and Billie McCandless. In the book they are portrayed as a little stuck up and snobbish. Sean Penn is a screenwriter and director for the movie adaptation of Into the Wild by John Krakauer. Sean Penn portrays Chris’s parents in a negative way in order to show that they were essentially responsibl e for him breaking away from society. When Walt has his birthday in the movie and the book he is on the back porch whichRead MoreBlack Fish : Critical Analysis1361 Words   |  6 Pages Black Fish: Critical Analysis Black Fish uses the death of a recognized Killer Whale trainer at SeaWorld, Dawn Brancheau who was one of Tilikums trainers thorough his twenty years in captivity, almost as a framing device to explore the theory that possessing Orcas in captivity is corrupt and unnatural for the whales. In Black fish, there are many different tragedies that went on while the Orcas were in captivity. Fisher men separated the young from the mothers and took them into SeaWorld. ManyRead MoreThe Tale of Bigfoot1634 Words   |  6 PagesCanada. The natives told this tale of a group of giant hairy wild ape-man like people that protect the forests to give reason for respecting nature and preserve order. Bigfoot sightings have spread throughout the United States and the world. Our fascination with this creature have spiraled into almost mass hysteria among people to find and prove this creature is real. I decided to observe and analyze the film Bigfoot. When watching the film Bigfoot created in 1970 directed by Robert Slatzer and starringRead MoreFilm Analysis : Blackfish 1475 Words   |  6 PagesDocumentary Film Analysis: Blackfish Purpose: â€Å"Blackfish† the documentary film was created to reveal how confinement of killer whales can lead to dangerous behavior toward human trainers. The main claim this film displayed is how the captivity of Killer Whales triggers aggression and is unsafe for humans and other marine mammals. Blackfish uses the story of Tilikum (most aggressive killer whale who killed the most amount of Sea World trainers), interviews of previous trainers, and court hearingsRead MoreA Place Called Chiapas899 Words   |  4 Pagesdelivering objective information, this documentary successfully satisfies its purpose. Her travelogues compel me to expand my perspective and develop my opinions on the matter under the complete scope of information available. In this sense, the film tests the resiliency of good human nature. The modern world is becoming increasingly set in its extremes, as the lifestyle of the poor vastly contrasts that of the wealthy. The implementation of NAFTA reflects this movement toward separation, despite

Direct

Direct-Mail Advertising Essay Direct-Mail AdvertisingAdvertising may be described as the science of arresting the human intelligence long enough to get money from it. Stephen Leacock Philosopher extraordinaire Really good direct mail works like picking your prospect up by the ankles and shaking him until all the money falls out of his pockets. Matthew Samp Direct Mail Copy Graphic DesignAs consumers, we are often bombarded by different types of advertisements each day. Whether it’s by television, newspaper, or billboards, advertising has reached us one way or another. Yet, a majority of the ads that we encounter are often meaningless and uninteresting mainly because of the fact that these ads are meant to reach a certain target audience. This perception seems to change, however, when we look inside our mailboxes, pick-up our telephone, and even check our e-mail. We often ponder how marketers know that we have a pet snake, own a certain kind of computer, or even wear 70’s clothing. That is because e very time we purchase products such as: electronics, computer software, and other products, direct-mail advertising is in the air. Every time we send those warranties and registration forms back to the manufacturer; as consumers we are often unaware that we are sending information about ourselves that will be used as; statistical, personal, and informative data for future marketing purposes. Thus, marketers and advertisers know what kinds of products to target us with. Although direct-mail, or as we call it â€Å"junk-mail†, somehow finds its way to our homes and businesses, it can be considered as a convenient way for us to shop without having to leave the house, since as consumers, we are often pressed for time. In order to understand direct-mail advertising, we will be discussing this unique medium in a broad spectrum of subjects and then give an example of a company that successfully used direct mail advertising. Among the subjects we will be discussing are: what direct-mail advertising is, the historical development of the medium, different methods and types of mail, the future of direct-mail advertising, and the internet’s use of the medium for visual communication. Direct MailDirect-mail advertising is a form of medium used by direct marketers; it is the most personal and selective of all media. This highly specialized mail can be purchased (among the thousands available are lists of various level students, business professiona ls, college professors, pregnant women, and even vintage car owners), but they can be expensive. Printing and postage fees make the cost of direct mail per person reached quite high compared with other forms of media. However, if direct mail goes only to the people the advertiser wishes to contact, there is no wasted coverage. Reaching the prospect does not, however, ensure that the message is received. Direct mail is pure advertising. Therefore, a direct-mail ad must attract its own readers. This is critical when you consider that the average American home receives more than 10 direct mail pieces a week and that the recipient of such ads decide in few seconds whether to discard or open it. Historical DevelopmentDuring the 1950’s and early 1960’s, computers emerged to be common business tools. Marketers were able to collect, store, and manipulate larger amounts of data to aid marketing decision makers. Out of this capability developed the marketing information system ( MkIS)- an ongoing, organized procedure to generate, analyze, disseminate, store, and retrieve information for use in making marketing decisions. Another useful tool that developed for marketers is the decision support system (DSS). This particular system is a computerized procedure that permits the marketing manager to interact with data and use various methods of analysis to incorporate, examine, and characterize information. This computer-based procedure adds acceleration and versatility to the MkIS. These useful computer-based systems are then organized, stored, and updated in what is known as a database. This is perhaps the nucleus for all direct-marketers, because it has allowed them to narrow their specific target market by identifying the market’s special interests, buying behavior, and purchasing power. .u88f7973a28e41c82ee0f8554828a9f35 , .u88f7973a28e41c82ee0f8554828a9f35 .postImageUrl , .u88f7973a28e41c82ee0f8554828a9f35 .centered-text-area { min-height: 80px; position: relative; } .u88f7973a28e41c82ee0f8554828a9f35 , .u88f7973a28e41c82ee0f8554828a9f35:hover , .u88f7973a28e41c82ee0f8554828a9f35:visited , .u88f7973a28e41c82ee0f8554828a9f35:active { border:0!important; } .u88f7973a28e41c82ee0f8554828a9f35 .clearfix:after { content: ""; display: table; clear: both; } .u88f7973a28e41c82ee0f8554828a9f35 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u88f7973a28e41c82ee0f8554828a9f35:active , .u88f7973a28e41c82ee0f8554828a9f35:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u88f7973a28e41c82ee0f8554828a9f35 .centered-text-area { width: 100%; position: relative ; } .u88f7973a28e41c82ee0f8554828a9f35 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u88f7973a28e41c82ee0f8554828a9f35 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u88f7973a28e41c82ee0f8554828a9f35 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u88f7973a28e41c82ee0f8554828a9f35:hover .ctaButton { background-color: #34495E!important; } .u88f7973a28e41c82ee0f8554828a9f35 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u88f7973a28e41c82ee0f8554828a9f35 .u88f7973a28e41c82ee0f8554828a9f35-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u88f7973a28e41c82ee0f8554828a9f35:after { content: ""; display: block; clear: both; } READ: Alexander The Great Arriving In Persepolis EssayWith the developments of these three interrelated computer-strategically systems, direct mail then emerged to be one of the many tools that direct-marketers conveniently use to target their markets. Growth of Direct MailDirect mail is successful because it matches today’s lifestyles; families

Suicide Poems Essay Example For Students

Suicide Poems Essay Outline1 The Most Beautiful Woman In Town by  Charles Bukowski2 The Drowned Man by  Alexander Pushkin3 A poem on divine revelation by  Hugh Henry Brackenridge4 The Double Image by  Anne Sexton5 My Suicide by  Robert William Service The Most Beautiful Woman In Town by  Charles Bukowski Cass was the youngest and most beautiful of 5 sisters. Cass was the most beautiful girl in town. 1/2 Indian with a supple and strange body, a snake-like and fiery body with eyes to go with it. Cass was fluid moving fire. She was like a spirit stuck into a form that would not hold her. Her hair was black and long and silken and whirled about as did her body. Her spirit was either very high or very low. There was no in between for Cass. Some said she was crazy. The dull ones said that. The dull ones would never understand Cass. To the men she was simply a sex machine and they didnt care whether she was crazy or not. We will write a custom essay on Suicide Poems specifically for you for only $16.38 $13.9/page Order now And Cass danced and flirted, kissed the men, but except for an instance or two, when it came time to make it with Cass, Cass had somehow slipped away, eluded the men. Her sisters accused her of misusing her beauty, of not using her mind enough, but Cass had mind and spirit; she painted, she danced, she sang, she made things of clay, and when people were hurt either in the spirit or the flesh, Cass felt a deep grieving for them. Her mind was simply different; her mind was simply not practical. Her sisters were jealous of her because she attracted their men, and they were angry because they felt she didnt make the best use of them. She had a habit of being kind to the uglier ones; the so-called handsome men revolted her- No guts, she said, no zap. They are riding on their perfect little earlobes and well- shaped nostrils. . . all surface and no insides. . . She had a temper that came close to insanity, she had a temper that some call insanity. Her father had died of alcohol and her mother had run off leaving the girls alone. The girls went to a relative who placed them in a convent. The convent had been an unhappy place, more for Cass than the sisters. The girls were jealous of Cass and Cass fought most of them. She had razor marks all along her left arm from defending herself in two fights. There was also a permanent scar along the left cheek but the scar rather than lessening her beauty only seemed to highlight it. I met her at the West End Bar several nights after her release from the convent. Being youngest, she was the last of the sisters to be released. She simply came in and sat next to me. I was probably the ugliest man in town and this might have had something to do with it. Drink? I asked. Sure, why not? I dont suppose there was anything unusual in our conversation that night, it was simply in the feeling Cass gave. She had chosen me and it was as simple as that. No pressure. She liked her drinks and had a great number of them. She didnt seem quite of age but they served he anyhow. Perhaps she had forged i. d. , I dont know. Anyhow, each time she came back from the restroom and sat down next to me, I did feel some pride. She was not only the most beautiful woman in town but also one of the most beautiful I had ever seen. I placed my arm about her waist and kissed her once. Do you think Im pretty? she asked. Yes, of course, but theres something else. . . theres more than your looks. . . People are always accusing me of being pretty. Do you really think Im pretty? Pretty isnt the word, it hardly does you fair. Cass reached into her handbag. I thought she was reaching for her handkerchief. She came out with a long hatpin. Before I could stop her she had run this long hatpin through her nose, sideways, just above the nostrils. I felt disgust and horror. She looked at me and laughed, Now do you think me pretty? What do you think now, man? I pulled the hatpin out and held my handkerchief over the bleeding. Several people, including the bartender, had seen the act. The bartender came down: Look, he said to Cass, you act up again and youre out. We dont need your dramatics here. Oh, fuck you, man! she said. Better keep her straight, the bartender said to me. Shell be all right, I said. Its my nose, I can do what I want with my nose. No, I said, it hurts me. You mean it hurts you when I stick a pin in my nose? Yes, it does, I mean it. All right, I wont do it again. Cheer up. She kissed me, rather grinning through the kiss and holding the handkerchief to her nose. We left for my place at closing time. I had some beer and we sat there talking. It was then that I got the perception of her as a person full of kindness and caring. She gave herself away without knowing it. At the same time she would leap back into areas of wildness and incoherence. Schitzi. A beautiful and spiritual schitzi. Perhaps some man, something, would ruin her forever. I hoped that it wouldnt be me. We went to bed and after I turned out the lights Cass asked me, When do you want it? Now or in the morning? In the morning, I said and turned my back. In the morning I got up and made a couple of coffees, brought her one in bed. She laughed. Youre the first man who has turned it down at night. Its o. k. , I said, we neednt do it at all. No, wait, I want to now. Let me freshen up a bit. Cass went into the bathroom. She came out shortly, looking quite wonderful, her long black hair glistening, her eyes and lips glistening, her glistening. . . She displayed her body calmly, as a good thing. She got under the sheet. Come on, lover man. I got in. She kissed with abandon but without haste. I let my hands run over her body, through her hair. I mounted. It was hot, and tight. I began to stroke slowly, wanting to make it last. Her eyes looked directly into mine. Whats your name? I asked. What the hell difference does it make? she asked. I laughed and went on ahead. Afterwards she dressed and I drove her back to the bar but she was difficult to forget. I wasnt working and I slept until 2 p. m. then got up and read the paper. I was in the bathtub when she came in with a large leaf- an elephant ear. I knew youd be in the bathtub, she said, so I brought you something to cover that thing with, nature boy. She threw the elephant leaf down on me in the bathtub. How did you know Id be in the tub? I knew. Almost every day Cass arrived when I was in the tub. The times were different but she seldom missed, and there was the elephant leaf. And then wed make love. One or two nights she phoned and I had to bail her out of jail for drunkenness and fighting. These sons of bitches, she said, just because they buy you a few drinks they think they can get into your pants. Once you accept a drink you create your own trouble. I thought they were interested in me, not just my body. Im interested in you and your body. I doubt, though, that most men can see beyond your body. I left town for 6 months, bummed around, came back. I had never forgotten Cass, but wed had some type of argument and I felt like moving anyhow, and when I got back i figured shed be gone, but I had been sitting in the West End Bar about 30 minutes when she walked in and sat down next to me. Well, bastard, I see youve come back. I ordered her a drink. Then I looked at her. She had on a high- necked dress. I had never seen her in one of those. And under each eye, driven in, were 2 pins with glass heads. All you could see were the heads of the pins, but the pins were driven down into her face. God damn you, still trying to destroy your beauty, eh? No, its the fad, you fool. Youre crazy. Ive missed you, she said. Is there anybody else? No there isnt anybody else. Just you. But Im hustling. It costs ten bucks. But you get it free. Pull those pins out. No, its the fad. Its making me very unhappy. Are you sure? Hell yes, Im sure. Cass slowly pulled the pins out and put them back in her purse. Why do you haggle your beauty? I asked. Why dont you just live with it? Because people think its all I have. Beauty is nothing, beauty wont stay. You dont know how lucky you are to be ugly, because if people like you you know its for something else. O. k. , I said, Im lucky. I dont mean youre ugly. People just think youre ugly. You have a fascinating face. Thanks. We had another drink. What are you doing? she asked. Nothing. I cant get on to anything. No interest. Me neither. If you were a woman you could hustle. I dont think I could ever make contact with that many strangers, its wearing. Youre right, its wearing, everything is wearing. We left together. People still stared at Cass on the streets. She was a beautiful woman, perhaps more beautiful than ever. We made it to my place and I opened a bottle of wine and we talked. With Cass and I, it always came easy. She talked a while and I would listen and then i would talk. Our conversation simply went along without strain. We seemed to discover secrets together. When we discovered a good one Cass would laugh that laugh- only the way she could. It was like joy out of fire. Through the talking we kissed and moved closer together. We became quite heated and decided to go to bed. It was then that Cass took off her high -necked dress and I saw it- the ugly jagged scar across her throat. It was large and thick. God damn you, woman, I said from the bed, god damn you, what have you done? I tried it with a broken bottle one night. Dont you like me any more? Am I still beautiful? I pulled her down on the bed and kissed her. She pushed away and laughed, Some men pay me ten and I undress and they dont want to do it. I keep the ten. Its very funny. Yes, I said, I cant stop laughing. . . Cass, bitch, I love you. . . stop destroying yourself; youre the most alive woman Ive ever met. We kissed again. Cass was crying without sound. I could feel the tears. The long black hair lay beside me like a flag of death. We enjoined and made slow and somber and wonderful love. In the morning Cass was up making breakfast. She seemed quite calm and happy. She was singing. I stayed in bed and enjoyed her happiness. Finally she came over and shook me, Up, bastard! Throw some cold water on your face and pecker and come enjoy the feast! I drove her to the beach that day. It was a weekday and not yet summer so things were splendidly deserted. Beach bums in rags slept on the lawns above the sand. Others sat on stone benches sharing a lone bottle. The gulls whirled about, mindless yet distracted. Old ladies in their 70s and 80s sat on the benches and discussed selling real estate left behind by husbands long ago killed by the pace and stupidity of survival. For it all, there was peace in the air and we walked about and stretched on the lawns and didnt say much. It simply felt good being together. I bought a couple of sandwiches, some chips and drinks and we sat on the sand eating. Then I held Cass and we slept together about an hour. It was somehow better than lovemaking. There was flowing together without tension. When we awakened we drove back to my place and I cooked a dinner. After dinner I suggested to Cass that we shack together. She waited a long time, looking at me, then she slowly said, No. I drove her back to the bar, bought her a drink and walked out. I found a job as a parker in a factory the next day and the rest of the week went to working. I was too tired to get about much but that Friday night I did get to the West End Bar. I sat and waited for Cass. Hours went by . After I was fairly drunk the bartender said to me, Im sorry about your girlfriend. What is it? I asked. Im sorry, didnt you know? No. Suicide. She was buried yesterday. Buried? I asked. It seemed as though she would walk through the doorway at any moment. How could she be gone? Her sisters buried her. A suicide? Mind telling me how? She cut her throat. I see. Give me another drink. I drank until closing time. Cass was the most beautiful of 5 sisters, the most beautiful in town. I managed to drive to my place and I kept thinking, I should have insisted she stay with me instead of accepting that no. Everything about her had indicated that she had cared. I simply had been too offhand about it, lazy, too unconcerned. I deserved my death and hers. I was a dog. No, why blame the dogs? I got up and found a bottle of wine and drank from it heavily. Cass the most beautiful girl in town was dead at 20. Outside somebody honked their automobile horn. They were very loud and persistent. I sat the bottle down and screamed out: GOD DAMN YOU, YOU SON OF A BITCH ,SHUT UP! The night kept coming and there was nothing I could do. The Drowned Man by  Alexander Pushkin Children running into izba, Calling father, dripping sweat: Daddy, daddy! come there is a Deadman caught inside our net. Fancy, fancy fabrication. . . Grumbled off their weary Pa, Have these imps imagination! Deadman, really! ya-ha-ha. . . Well. . . the court may come to bother Whatll I say before the judge? Hey you brats, go have your mother Bring my coat; I better trudge. . . Show me, where? Right there, Dad, farther! On the sand where netting ropes Lay spread out, the peasant father Saw the veritable corpse. Badly mangled, ugly, frightening, Blue and swollen on each side. . . Has he fished in storm and lightning, Or committed suicide? Could this be a careless drunkard, Or a mermaid-seeking monk, Or a merchandizer, conquered By some bandits, robbed and sunk? To the peasant, whats it matter! Quick: he grabs the dead mans hair, Drags his body to the water, Looks around: nobodys there: Good. . . relieved of the concern he Shoves his paddle at a loss, While the stiff resumes his journey Down the stream for grave and cross. Long the dead man as one living Rocked on waves amid the foam. . . Surly as he watched him leaving, Soon our peasant headed home. Come you pups! lets go, dont scatter. Each of you will get his bun. But remember: just you chatter And Ill whip you, every one. Dark and stormy it was turning. High the river ran in gloom. Now the torch has finished burning In the peasants smoky room. Kids asleep, the wife aslumber, He lies listening to the rain. . . Bang! he hears a sudden comer Knocking on the window-pane. What the. . . Let me in there, master! Damn, you found the time to roam! Well, what is it, your disaster? Let you in? Its dark at home, Dark and crowded. . . What a pest you are! Whered I put you in my cot. . . Slowly, with a lazy gesture, He lifts up the pane and what? Through the clouds, the moon was showing. . . Well? the naked man was there, Down his hair the water flowing, Wide his eyes, unmoved the stare; Numb the dreadful-looking body, Arms were hanging feeble, thin; Crabs and cancers, black and bloody, Sucked into the swollen skin. As the peasant slammed the shutter (Recognized his visitant) Horror-struck he could but mutter Blast you! and began to pant. He was shuddering, awful chaos All night through stirred in his brain, While the knocking shook the house By the gates and at the pane. People tell a dreadful rumor: Every year the peasant, say, Waiting in the worst of humor For his visitor that day; As the rainstorm is increasing, Nightfall brings a hurricane And the drowned man knocks, unceasing, By the gates and at the pane. Translated by: Genia Gurarie, 11/95 Copyright retained by Genia Gurarie. A poem on divine revelation by  Hugh Henry Brackenridge This is a day of happiness, sweet peace, And heavenly sunshine; upon which convend In full assembly fair, once more we view, And hail with voice expressive of the heart, Patrons and sons of this illustrious hall. This hall more worthy of its rising fame Than hall on mountain or romantic hill, Where Druid bards sang to the heros praise, While round their woods and barren heaths was heard The shrill calm echo of th enchanting shell. Than all those halls and lordly palaces Where in the days of chivalry, each knight, And baron brave in military pride Shone in the brass and burning steel of war; For in this hall more worthy of a strain No envious sound forbidding peace is heard, Fierce song of battle kindling martial rage And desprate purpose in heroic minds: But sacred truth fair science and each grace Of virtue born; health, elegance and ease And temprate mirth in social intercourse Convey rich pleasure to the mind; and oft The sacred muse in heaven-breathing song Doth wrap the soul in extasy divine, Inspiring joy and sentiment which not The tale of war or song of Druids gave. The song of Druids or the tale of war With martial vigour every breast inspird, With valour fierce and love of deathless fame; But here a rich and splendid throng convend From many a distant city and fair town, Or rural seat by shore or mountain-stream, Breathe joy and blessing to the human race, Give countenance to arts themselves have known, Inspire the love of heights themselves have reachd, Of noble science to enlarge the mind, Of truth and virtue to adorn the soul, And make the human nature grow divine. Oh could the muse on this auspicious day Begin a song of more majestic sound, Or touch the lyre on some sublimer key, Meet entertainment for the noble mind. .u330478eeb5819628f00a43584b040896 , .u330478eeb5819628f00a43584b040896 .postImageUrl , .u330478eeb5819628f00a43584b040896 .centered-text-area { min-height: 80px; position: relative; } .u330478eeb5819628f00a43584b040896 , .u330478eeb5819628f00a43584b040896:hover , .u330478eeb5819628f00a43584b040896:visited , .u330478eeb5819628f00a43584b040896:active { border:0!important; } .u330478eeb5819628f00a43584b040896 .clearfix:after { content: ""; display: table; clear: both; } .u330478eeb5819628f00a43584b040896 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u330478eeb5819628f00a43584b040896:active , .u330478eeb5819628f00a43584b040896:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u330478eeb5819628f00a43584b040896 .centered-text-area { width: 100%; position: relative ; } .u330478eeb5819628f00a43584b040896 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u330478eeb5819628f00a43584b040896 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u330478eeb5819628f00a43584b040896 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u330478eeb5819628f00a43584b040896:hover .ctaButton { background-color: #34495E!important; } .u330478eeb5819628f00a43584b040896 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u330478eeb5819628f00a43584b040896 .u330478eeb5819628f00a43584b040896-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u330478eeb5819628f00a43584b040896:after { content: ""; display: block; clear: both; } READ: Poetry Pr EssayHow shall the muse from this poetic bowr So long removd, and from this happy hill, Where evry grace and evry virtue dwells, And where the springs of knowledge and of thought In rivlets clear and gushing streams flow down Attempt a strain? How sing in rapture high Or touch in varid melody the lyre The lyre so long neglected and each strain Unmeditated, and long since forgot? But yet constraind on this occasion sweet To this famd hall and this assembly fair With comely presence honouring the day, She fain would pay a tributary strain. A purer strain though not of equal praise To that which Fingal heard when Ossian sung With voice high raisd in Selma hall of shells; Or that which Pindar on th Elean plain, Sang with immortal skill and voice divine, When native Thebes and evry Grecian state Pourd forth her sons in rapid chariot race, To shun the goal and reach the glorious palm. He sang the pride of some ambitious chief, For olive crowns and wreaths of glory won; I sing the rise of that all glorious light, Whose sacred dawn the aged fathers saw By faiths clear eye, through many a cloud obscure And heavy mist between: they saw it beam From Judahs royal tribe, they saw it shine Oer Judahs happy land, and bade the hills, The rocky hills and barren vallies smile, The desert blossom and the wilds rejoice. This is that light and revelation pure, Which Jacob saw and in prophetic view, Did hail its author from the skies, and bade The sceptre wait with sovreignty and sway On Judahs hand till Shiloh came. That light Which Beors son in clearer vision saw, Its beams sore piercing his malignant eye; But yet constraind by the eternal truth Confessd its origin and haild its rise, Fresh as a star from Judahs sacred line. This, Amos son touchd with seraphic fire In after times beheld. He saw it beam From Judahs royal tribe; he saw it shine Oer Judahs happy land, and bade the hills, The rocky hills and barren vallies smile, The desert blossom and the wilds rejoice. This is that light which purifies the soul, From mist obscure, of envy, hate, and pride; Bids love celestial in the bosom glow, Fresh kindling up the intellectual eye Of faith divine, in beatific view Of that high glory and seraphic bliss, Which he who reigns invisible, shall give To wait on virtue in the realms of day. This is that light which from remotest times Shone to the just; gave sweet serenity, And sunshine to the soul, of each wise sage, Famd patriarch, and holy man of God, Who in the infancy of time did walk With step unerring, through those dreary shades, Which veild the world eer yet the golden sun Of revelation beamd. Seth, Enos, and The family of him preservd from death By flood of waters. Abram and that swain Who erst exild in Midian did sing The world from chaos rising, and the birth Of various nature in the earth, or sea, Or element of air, or heavn above. This is that light which on fair Zion hill Descending gradual, in full radiance beamd Oer Canaans happy land. Her favrite seers Had intercourse divine with this pure source, And oft from them a stream of light did flow, To each adjoining vale and desert plain, Lost in the umbrage of dark heathen shades. Twas at this stream the fabling poets drank And sang how heavn and earth from chaos rose; Twas at this stream the wiser sages drank And straightway knew the soul immortal lives Beyond the grave and all the wrecks of time. From Judahs sacred hills a partial ray Extraneous, visited and cheerd the gloom Spread oer the shaded earth; yet more than half In superstition and the dreams of night Each hoary sage by long experience wise, And high philosopher of learning famd Lay buried deep shut from the light of day. Shut from the light of revelation clear In devious path they wandered oft, Nor could strong reason with the partial beam Of revelation, wholly dissipate The midnight horrors of so dark an age. Vain were their searches, and their reason vain, Else whence the visionary tales receivd, Of numrous deities in earth, or heavn Or sea, or river, or the shades profound Of Erebus, dark kingdom of the dead. Weak deities of fabled origin From king or hero, to the skies advancd For sanguinary appetite, and skill In cruel feats of arms, and tyranny Oer evry right, and privilege of man. Vain were their searches, and their reason vain, Else whence the sculpturd image of a god, And marble bust adord as deity, Altar and hecatomb prepard for these, Or human sacrifice when hecatomb Consumd in vain with ceremony dire, And rites abhorrd, denied the wishd success. Reason is dark, else why heroic deemd Fell suicide, as if twere fortitude And higher merit to recede from life, Shunning the ills of poverty, or pain, Or wasting sickness, or the victors sword, Than to support with patience fully tried As Job, thence equalld with him in renown. Shut from the light of revelation clear The world lay hid in shades, and reasons lamp Servd but to show how dark it was; but now The joyous time with hasty steps advancd, When truth no more should with a partial ray Shine on the shaded earth; now on swift wings The rosy hours brought on in beauty mild, The day-spring from on high, and from the top Of some fair mount Chaldean shepherds view That orient star which Beors son beheld, From Aram east, and markd its lucid ray, Shedding sweet influence on Judahs land. Now oer the plain of Bethlem to the swains Who kept their flocks beneath the dews of night, A light appears expressive of that day More general, which oer the shaded earth Breaks forth, and in the radiance of whose beams, The humble shepherd, and the river-swain By Jordan stream, or Galileas lake, Can see each truth and paradox explaind, Which not each wise philosopher of Greece, Could tell, nor sage of India, nor the sons Of Zoroaster, in deep secrets skilld. Such light on Canaan shone but not confind With partial ray to Judahs favourd land, Each vale and region to the utmost bound Of habitable earth, distant or nigh Soon finds a gleam of this celestial day: Famd Persias mountains and rough Bactrias woods And Medias vales and Shinars distant plain: The Lybian desert near Cyrene smiles And Ethiopia hails it to her shores. Arabia drinks the lustre of its ray Than fountain sweeter, or the cooling brook Which laves her burning sands; than stream long sought Through desert flowing and the scorched plain To Shebas troop or Temas caravan. Egypt beholds the dawn of this fair morn And boasts her rites mysterious no more; Her hidden learning wrapt in symbols strange Of hieroglyphic character, engravd On marble pillar, or the mountain rock, Or pyramid enduring many an age. She now receives asserted and explaind That holy law, which on mount Sinai writ By Gods own finger, and to Moses givn, And to the chosen seed, a rule of life. And strict obedience due; but now once more Gravd on the living tablet of the heart, And deep impressd by energy divine, Is legible through an eternal age. North of Judea now this day appears On Syria west, and in each city fair Full many a church of noble fame doth rise. In Antioch the seat of Syrian kings, And old Damascus, where Hazael reignd. Now Cappadocia Mithridates realm, And poison-bearing Pontus, whose deep shades Were shades of death, admit the light of truth. In Asia less seven luminaries rise, Bright lights, which with celestial vigour burn, And give the day in fullest glory round. There Symrna shines, and Thyatira there, There Ephesus a sister light appears, And Pergamus with kindred glory burns: She burns enkindled with a purer flame Than Troy of old, when Grecian kings combind Had set her gates on fire: The Hellespont And all th Egean sea shone to the blaze. But now more west the gracious day serene On Athens rising, throws a dark eclipse On that high learning by her sages taught, In each high school of philosophic fame; Vain wisdom, useless sophistry condemnd, As ignorance and foolishness of men. Let her philosophers debate no more In the Lyceum, or the Stoics porch, Holding high converse, but in error lost Of pain, and happiness, and fate supreme. Fair truth from heavn draws all their reasning high In captive chains bound at her chariot wheels. Now Rome imperial, mistress of the world Drinks the pure lustre of the orient ray Assuaging her fierce thirst of bloody war, Dominion boundless, victory and fame; Each bold centurion, and each prà ¦tor finds A nobler empire to subdue themselves. From Rome the mistress of the world in peace, Far to the north the golden light ascends; To Gaul and Britain and the utmost bound Of Thule famous in poetic song, Victorious there where not Romes consuls brave, Heroes, or conquering armies, ever came. Far in the artic skies a light is seen, Unlike that sun, which shall ere long retreat, And leave their hills one half the year in shades. Or that Aurora which the sailor sees Beneath the pole in dancing beams of light, Playing its gambols on the northern hills. That light is vain and gives no genial heat, To warm the tenants of those frozen climes, Or give that heavnly vigour to the soul, Which truth divine and revelation brings; And but for which each heart must still remain, Hard as the rock on Scandanavias shore, Cold as the ice which bridges up her streams, Fierce as the storm which tempests all her waves. Thus in its dawn did sacred truth prevail, In either hemisphere from north to south, From east to west through the long tract of day. From Shinars plain to Thules utmost isle, From Persias bay to Scandanavias shores. Cheerd by its ray now evry valley smiles, And evry lawn smote by its morning beam. Now evry hill reflects a purer ray, Than when Aurora paints his woods in gold, Or when the sun first in the orient sky, Sets thick with gems the dewy mountains brow. The earth perceives a sovreign virtue shed And from each cave, and midnight haunt retires Dark superstition, with her votries skilld, In potent charm, or spell of magic powr; In augury, by voice, or flight of birds, Or boding sign at morn, or noon, or eve, Portent and prodigy and omen dire. Each oracle by Demon, or the craft Of priests, made vocal, can declare no more Of high renown, and victory secure, To kings low prostrate at their bloody shrines. No more with vain uncertainty perplex Mistaken worshippers, or give unseen Response ambiguous in some mystic sound, And hollow murmer from the dark recess. No more of Lybian Jove; Dodonas oaks, In sacred grove give prophecy no more. Th infernal deities retire abashd, Our God himself on earth begins his reign; Pure revelation beams on evry land, On evry heart exerts a sovreign sway, And makes the human nature grow divine. Now hideous war forgets one half her rage, And smoothes her visage horible to view. Celestial graces better sooth the soul, Than vocal music, or the charming sound Of harp or lyre. More than the golden lyre Which Orpheus tund in melancholy notes, Which almost piercd the dull cold ear of death, And movd the grave to give him back his bride. Peace with the graces and fair science now Wait on the gospel car; science improvd Puts on a fairer dress; a fairer form Now evry art assumes; bold eloquence Moves in a higher sphere than senates grave, Or mixd assembly, or the hall of kings, Which erst with pompous panegyric rung. Vain words and soothing flattery she hates, And feigned tears, and tongue which silver-tipt Moves in the cause of wickedness and pride. She mourns not that fair liberty depressd Which kings tyrannic can extort, but that Pure freedom of the soul to truth divine Which first indulgd her and with envious hand Pluckd thence, left hideous slavery behind. She weeps not loss of property on earth, Nor stirs the multitude to dire revenge With headlong violence, but soothes the soul To harmony and peace, bids them aspire With emulation and pure zeal of heart, To that high glory in the world unseen, And crown celestial, which pure virtue gives. Thus eloquence and poesy divine A nobler range of sentiment receive; Life brought to view and immortality, A recent world through which bold fancy roves, And gives new magic to the powr of song; For where the streams of revelation flow Unknown to bards of Helicon, or those Who on the top of Pindus, or the banks Of Arethusa and Eurotas strayd, The poet drinks, and glorying in new strength, Soars high in rapture of sublimer strains; Such as that prophet sang who tund his harp On Zion hill and with seraphic praise In psalm and sacred ode by Siloas brook, Drew HIS attention who first touchd the soul With taste of harmony, and bade the spheres Move in rich measure to the songs on high. Filld with this spirit poesy no more Adorns that vain mythology believd, By rude barbarian, and no more receives, The tale traditional, and hymn profane, Sung by high genius, basely prostitute. New strains are heard, such as first in the morn Of time, were sung by the angelic choirs, When rising from chaotic state the earth Orbicular was seen, and over head The blazing sun, moon, planet, and each light That gilds the firmament, rushd into view. Thus did the sun of revelation shine Full on the earth, and grateful were its beams: Its beams were grateful to the chosen seed, To all whose works were worthy of the day. But creatures lucifuge, whose ways were dark, Ere this in shades of paganism hid, Did vent their poison, and malignant breath, To stain the splendour of the light divine, Which piercd their cells and brought their deeds to view Numrous combind of evry tongue and tribe, Made battle proud, and impious war brought on, Against the chosen sanctified by light. Riches and powr leagud in their train were seen, Sword, famine, flames and death before them preyd. Those faithful found, who undismayd did bear A noble evidence to truth, were slain. Why should I sing of these or here record, As if twere praise, in poesy or song, Or sculpturd stone, to eternize the names, Which writ elsewhere in the fair book of life, Shall live unsullied when each strain shall die: Shall undefacd remain when sculpturd stone, And monument, and bust, and storied urn Perpetuates its sage and king no more. The powr of torture and reproach was vain, But what not torture or reproach could do, Dark superstition did in part effect. That superstition, which saint John beheld, Rise in thick darkness from th infernal lake. Locust and scorpion in the smoke ascend, False teacher, heretic, and Antichrist. The noon day sun is darkned in the sky, The moon forbears to give her wonted light. Full many a century the darkness ruld, With heavier gloom than once on Egypt came, Save that on some lone coast, or desert isle, Where seprate far a chosen spirit dwelt, A Goshen shone, with partial-streaming ray. Night on the one side settles dark; on Rome, It settles dark, and evry land more west Is wrapt in shades. Night on the east comes down With gloom Tartarean, and in part it rose From Tartary beneath the dusky pole. The ruthless Turk, and Saracen in arms, Oer-run the land the gospel once illumd; The holy land Judea once so namd, And Syria west where many churches rose. Those golden luminaries are removd, Which once in Asia shone. Athens no more For truth and learning famd. Corinth obscurd, Ionia mourns through all her sea-girt isles. But yet once more the light of truth shall shine In this obscure sojourn; shall shoot its beam In morning beauty mild, oer hill and dale. See in Bohemia and the lands more west The heavenly ray of revelation shines, Fresh kindling up true love and purest zeal. Britannia next beholds the risen day In reformation bright; cheerful she hails It from her snow-white cliffs, and bids her sons, Rise from the mist of popery obscure. Her worthier sons, whom not Romes pontiff high, Nor king with arbitrary sway could move. Those mightier who with constancy untamd, Did quench the violence of fire, at death Did smile, and maugre evry pain, of bond, Cold dark imprisonment, and scourge severe, By hell-born popery devisd, held fast The Christian hope firm anchor of the soul. Or those who shunning that fell rage of war, And persecution dire, when civil powr, Leagud in with sacerdotal sway triumphd, Oer evry conscience, and the lives of men, Did brave th Atlantic deep and through its storms Sought these Americ shores: these happier shores Where birds of calm delight to play, where not Romes pontiff high, nor arbitrary king, Leagud in with sacerdotal sway are known. But peace and freedom linkd together dwell, And reformation in full glory shines. Oh for a muse of more exalted wing, To celebrate those men who planted first The christian church in these remotest lands; From those high plains where spreads a colony, Genrous and free, from Massachusett-shores, To the cold lakes margind with snow: from that Long dreary tract of shady woods and hills, Where Hudsons icy stream rolls his cold wave, To those more sunny bowers where zephyrs breath, And round which flow in circling current swift The Delaware and Susquehannah streams. Thence to those smiling plains where Chesapeak Spreads her maternal arms, encompassing In soft embrace, full many a settlement, Where opulence, with hospitality, And polishd manners, and the living plant Of science blooming, sets their glory high . Thence to Virginia, sister colony, Libral in sentiment, and breathing high, The noble ardour of the freeborn soul. To Carolina thence, and that warm clime Where Georgia south in summer heat complains, And distant thence towards the burning line. These men deserve our song, and those who still, With industry severe, and steady aim Diffuse the light in this late dreary land, In whose lone wastes and solitudes forlorn, Death long sat brooding with his raven wing. Who many a structure of great fame have raisd, College, and school, upon th Atlantic coast, Or inland town, through evry province wide, Which rising up like pyramids of fire, Give light and glory to the western world. .u1e26a09e99f1e0ac84c4e8cb933f73f7 , .u1e26a09e99f1e0ac84c4e8cb933f73f7 .postImageUrl , .u1e26a09e99f1e0ac84c4e8cb933f73f7 .centered-text-area { min-height: 80px; position: relative; } .u1e26a09e99f1e0ac84c4e8cb933f73f7 , .u1e26a09e99f1e0ac84c4e8cb933f73f7:hover , .u1e26a09e99f1e0ac84c4e8cb933f73f7:visited , .u1e26a09e99f1e0ac84c4e8cb933f73f7:active { border:0!important; } .u1e26a09e99f1e0ac84c4e8cb933f73f7 .clearfix:after { content: ""; display: table; clear: both; } .u1e26a09e99f1e0ac84c4e8cb933f73f7 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u1e26a09e99f1e0ac84c4e8cb933f73f7:active , .u1e26a09e99f1e0ac84c4e8cb933f73f7:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u1e26a09e99f1e0ac84c4e8cb933f73f7 .centered-text-area { width: 100%; position: relative ; } .u1e26a09e99f1e0ac84c4e8cb933f73f7 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u1e26a09e99f1e0ac84c4e8cb933f73f7 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u1e26a09e99f1e0ac84c4e8cb933f73f7 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u1e26a09e99f1e0ac84c4e8cb933f73f7:hover .ctaButton { background-color: #34495E!important; } .u1e26a09e99f1e0ac84c4e8cb933f73f7 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u1e26a09e99f1e0ac84c4e8cb933f73f7 .u1e26a09e99f1e0ac84c4e8cb933f73f7-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u1e26a09e99f1e0ac84c4e8cb933f73f7:after { content: ""; display: block; clear: both; } READ: Beowulf Essay These men we honour, and their names shall last Sweet in the mouths and memory of men; Or if vain man unconscious of their worth, Refuse a tear when in some lonely vale He sees those faithful laid; each breeze shall sigh, Each passing gale shall mourn, each tree shall bend Its heavy head, in sorrow oer their tombs, And some sad stream run ever weeping by. Weep not O stream, nor mourn thou passing gale, Beneath those grassy tombs their bodies lie, But they have risen from each labour bere To make their entrance on a nobler stage. What though with us they walk the humble vale Of indigence severe, with want oppressd? Riches belong not to their family, Nor sloth luxurious nor the pride of kings; But truth meek-eyd and warm benevolence Wisdoms high breeding in her sons reverd Bespeaks them each the children of a king. The christian truth of origin divine, Grows not beneath the shade of civil powr, Riches or wealth accompanied with pride; Nor shall it bloom transplanted to that soil, Where persecution, in malignant streams, Flows out to water it; black streams and foul Which from the lake of Tartarus break forth, The sickly tide of Acheron which flows, With putrid waves through the infernal shades. This plant of heaven loves the gentle beams, Of truth and meekness, and the kindly dew Which fell on Zion hill; it loves the care Of humble shepherds, and the rural swain, And tended by their hands it flourishes With fruit and blossoms, and soon gives a shade, Beneath which evry traveller shall rest, Safe from the burning east-wind and the sun. A vernal shade not withring like the gourd Of him who warned Nineveh, but like The aged oaks immortal on the plain Of Kadesh, or tall cedars on the hill Of Lebanon, and Hermons shady top. High is their fame through each succeeding age Who build the walls of Zion upon earth. Let mighty kings and potentates combine, To raise a pyramid, which neither storm, Nor sea indignant, nor the raging fire, Nor time can waste, or from firm basis move. Or let them strive by counsel or by arms, To fix a throne, and in imperial sway, Build up a kingdom shadowing the earth, Unmovd by thunder or impetuous storm Of civil war, dark treason, or the shock Of hostile nations, in dire league combind. They build a kingdom of a nobler date, Who build the kingdom of the Saviour God. This, not descending rain, nor mighty storm, Nor sea indignant, nor the raging fire, Nor time shall waste, or from firm basis move. Rounded on earth its head doth reach the skies, Secure from thunder, and impetuous storm, Of civil war, dark treason, or the shock Of hostile nations in dire league combind. This still shall flourish and survive the date, Of each wide state and empire of the earth Which yet shall rise, as now of those which once From richest Asia or from Europe spread On mighty base and shaded half the world. Great Babylon which vexd the chosen seed, And by whose streams the captive Hebrews sat, In desolation lies, and Syria west, Where the Seleucidà ¦ did fix their throne, Loud-thundring thence oer Judahs spoiled land, Boasts her proud rule no more. Rome pagan next, The raging furnace where the saints were tried, No more enslaves mankind. Rome papal too Contracts her reign and speaks proud things no more. The throne of Ottoman is made to shake, The Russian thundring to his firmest seat; Another age shall see his empire fall. Yet in the east the light of truth shall shine, And like the sun returning after storms Which long had raged through a sunless sky, Shall beam beningly on forsaken lands. The day serene once more on Zion hill Descending gradual, shall in radiance beam On Canaans happy land. Her favrite seers Have intercourse divine with this pure source; Perennial thence rich streams of light shall flow, To each adjoining vale and desert plain Lost in the umbrage of dark heathen shades. The gospel light shall gloriously survive The wasting blaze of evry baser fire. The fire of Vesta, an eternal fire, So falsely calld and kept alive at Rome; Sepulchral lamp in burial place of kings, Burnd unconsumd for many ages down; But yet not Vestas fire eternal calld And kept alive at Rome, nor burning lamp Hid in sepulchral monument of kings, Shall bear an equal date with that true light, Which shone from earth to heavn, and which shall shine Up through eternity, and be the light Of heavn, the new Jerusalem above. This light from heavn shall yet illume the earth And give its beams to each benighted land Now with new glory lighted up again. Then ruthless Turk and Saracen shall know The fallacies of him Medina bred, And whose vain tomb, in Mecca they adore. Then Jews shall view the great Messiah come, And each rent tribe in caravan by land, Or ship by sea, shall visit Palestine Thrice holy then, with vile Idolatry No more defild, altar on mountain head, Green shady hill, or idol of the grove. For there a light appears, with which compard, That was a twilight shed by rite obscure, And ceremony dark and sacrifice Dimly significant of things to come. Blest with this light no more they deviate In out-way path; distinguished no more By school or sect, Essene or Saducee, Cairite or Scribe of Pharisaic mould. Jew and Samaritan debate no more, Whether on Gerizim or Zion hill They shall bow down. Above Moriahs mount Each eye is raised to him, whose temple is Th infinitude of space, whom earth, sea, sky And heavn itself cannot contain. No more The noise of battle shall be heard, or shout Of war by heathen princes wagd; Theres nought Shall injure or destroy; they shall not hurt In all my holy mountain saith the Lord. The earth in peace and evry shadow fled, Bespeaks Emmanuels happy reign when Jew, And kindred Gentile shall no more contend, Save in the holier strife of hymn and song, To him who leads captive captivity, Who shall collect the sons of Jacobs line, And bring the fulness of the Gentiles in. Thrice happy day when Gentiles are brought in Complete and full; when with its genial beams The day shall break on each benighted land Which yet in darkness and in vision lies: On Scythia and Tartarys bleak hills; On mount Imaus, and Hyrcanian cliffs Of Caucasus, and dark Iberian dales; Japan and China, and the sea-girt isles The ancient Ophir deemd; for there rich gems And diamond pearl, and purest gold is found. Thrice happy day when this whole earth shall feel The sacred ray of revelation shed, Far to the west, through each remotest land With equal glory rivalling the day Pourd on the east. When these Americ shores Shall far and wide be light, and heavnly day Shall in full glory rise on many a reign, Kingdom and empire bending to the south, And nation touching the Pacific shore. When Christian churches shall adorn the streams Which now unheeded flow with current swift Circling the hills, where fiercest beasts of prey, Panther and wolf in nightly concert howl. The Indian sage from superstition freed, Be taught a nobler heavn than cloud-topt-hill, Or seprate island in the watry waste. The aged Sachem fix his moving tribe, And grow humane now taught the arts of peace. In human sacrifice delight no more, Mad cantico or savage feast of war. Such scenes of fierce barbarity no more Be perpetrated there, but truth divine Shine on the earth in one long cloudless day, Till that last hour which shuts the scene of things, When this pure light shall claim its native skies; When the pure stream of revelation shall, With refluent current visit its first hills: There shall it mix with that crystalline wave, Which laves the walls of Paradise on high, And from beneath the seat of God doth spring. This is that river from whose sacred head The sanctified in golden arms draw light, On either side of which that tree doth grow Which yields immortal fruit, and in whose shade If shade were needed there, the rapt shall sing, In varied melody to harp and lyre, The sacred song of Moses and the Lamb: Eternitys high arches ring; Tis heard Through both infinitudes of space and time. Thus have I sung to this high-favourd bowr, And sacred shades which taught me first to sing, With grateful mind a tributary strain. Sweet grove no more I visit you, no more Beneath your shades shall meditate my lay. Adieu ye lawns and thou fair hill adieu, And you O shepherds, and ye graces fair With comely presence honouring the day, Far hence I go to some sequestred vale By woody hill or shady mountain side, Where far from converse and the social band, My days shall pass inglorious away: But this shall be my exultation still My chiefest merit and my only joy, That when the hunter on some western hill, Or furzy glade shall see my grassy tomb, And know the stream which mourns unheeded by, He for a moment shall repress his step, And say, There lies a Son of Nassau-Hall. The Double Image by  Anne Sexton 1. I am thirty this November. You are still small, in your fourth year. We stand watching the yellow leaves go queer, flapping in the winter rain. falling flat and washed. And I remember mostly the three autumns you did not live here. They said Id never get you back again. I tell you what youll never really know: all the medical hypothesis that explained my brain will never be as true as these struck leaves letting go. I, who chose two times to kill myself, had said your nickname the mewling mouths when you first came; until a fever rattled in your throat and I moved like a pantomine above your head. Ugly angels spoke to me. The blame, I heard them say, was mine. They tattled like green witches in my head, letting doom leak like a broken faucet; as if doom had flooded my belly and filled your bassinet, an old debt I must assume. Death was simpler than Id thought. The day life made you well and whole I let the witches take away my guilty soul. I pretended I was dead until the white men pumped the poison out, putting me armless and washed through the rigamarole of talking boxes and the electric bed. I laughed to see the private iron in that hotel. Today the yellow leaves go queer. You ask me where they go I say today believed in itself, or else it fell. Today, my small child, Joyce, love your selfs self where it lives. There is no special God to refer to; or if there is, why did I let you grow in another place. You did not know my voice when I came back to call. All the superlatives of tomorrows white tree and mistletoe will not help you know the holidays you had to miss. The time I did not love myself, I visited your shoveled walks; you held my glove. There was new snow after this. 2. They sent me letters with news of you and I made moccasins that I would never use. When I grew well enough to tolerate myself, I lived with my mother, the witches said. But I didnt leave. I had my portrait done instead. Part way back from Bedlam I came to my mothers house in Gloucester, Massachusetts. And this is how I came to catch at her; and this is how I lost her. I cannot forgive your suicide, my mother said. And she never could. She had my portrait done instead. I lived like an angry guest, like a partly mended thing, an outgrown child. I remember my mother did her best. She took me to Boston and had my hair restyled. Your smile is like your mothers, the artist said. I didnt seem to care. I had my portrait done instead. There was a church where I grew up with its white cupboards where they locked us up, row by row, like puritans or shipmates singing together. My father passed the plate. Too late to be forgiven now, the witches said. I wasnt exactly forgiven. They had my portrait done instead. 3. All that summer sprinklers arched over the seaside grass. We talked of drought while the salt-parched field grew sweet again. To help time pass I tried to mow the lawn and in the morning I had my portrait done, holding my smile in place, till it grew formal. Once I mailed you a picture of a rabbit and a postcard of Motif number one, as if it were normal to be a mother and be gone. They hung my portrait in the chill north light, matching me to keep me well. Only my mother grew ill. She turned from me, as if death were catching, as if death transferred, as if my dying had eaten inside of her. That August you were two, by I timed my days with doubt. On the first of September she looked at me and said I gave her cancer. They carved her sweet hills out and still I couldnt answer. 4. That winter she came part way back from her sterile suite of doctors, the seasick cruise of the X-ray, the cells arithmetic gone wild. Surgery incomplete, the fat arm, the prognosis poor, I heard them say. During the sea blizzards she had here own portrait painted. A cave of mirror placed on the south wall; matching smile, matching contour. And you resembled me; unacquainted with my face, you wore it. But you were mine after all. I wintered in Boston, childless bride, nothing sweet to spare with witches at my side. I missed your babyhood, tried a second suicide, tried the sealed hotel a second year. On April Fool you fooled me. We laughed and this was good. 5. I checked out for the last time on the first of May; graduate of the mental cases, with my analystss okay, my complete book of rhymes, my typewriter and my suitcases. All that summer I learned life back into my own seven rooms, visited the swan boats, the market, answered the phone, served cocktails as a wife should, made love among my petticoats and August tan. And you came each weekend. But I lie. You seldom came. I just pretended you, small piglet, butterfly girl with jelly bean cheeks, disobedient three, my splendid stranger. And I had to learn why I would rather die than love, how your innocence would hurt and how I gather guilt like a young intern his symptons, his certain evidence. That October day we went to Gloucester the red hills reminded me of the dry red fur fox coat I played in as a child; stock still like a bear or a tent, like a great cave laughing or a red fur fox. We drove past the hatchery, the hut that sells bait, past Pigeon Cove, past the Yacht Club, past Squalls Hill, to the house that waits still, on the top of the sea, and two portraits hung on the opposite walls. 6. In north light, my smile is held in place, the shadow marks my bone. What could I have been dreaming as I sat there, all of me waiting in the eyes, the zone of the smile, the young face, the foxes snare. In south light, her smile is held in place, her cheeks wilting like a dry orchid; my mocking mirror, my overthrown love, my first image. She eyes me from that face that stony head of death I had outgrown. The artist caught us at the turning; we smiled in our canvas home before we chose our foreknown separate ways. The dry redfur fox coat was made for burning. I rot on the wall, my own Dorian Gray. And this was the cave of the mirror, that double woman who stares at herself, as if she were petrified in time two ladies sitting in umber chairs. You kissed your grandmother and she cried. 7. I could not get you back except for weekends. You came each time, clutching the picture of a rabbit that I had sent you. For the last time I unpack your things. We touch from habit. The first visit you asked my name. Now you will stay for good. I will forget how we bumped away from each other like marionettes on strings. It wasnt the same as love, letting weekends contain us. You scrape your knee. You learn my name, wobbling up the sidewalk, calling and crying. You can call me mother and I remember my mother again, somewhere in greater Boston, dying. I remember we named you Joyce so we could call you Joy. You came like an awkward guest that first time, all wrapped and moist and strange at my heavy breast. I needed you. I didnt want a boy, only a girl, a small milky mouse of a girl, already loved, already loud in the house of herself. We named you Joy. I, who was never quite sure about being a girl, needed another life, another image to remind me. And this was my worst guilt; you could not cure or soothe it. I made you to find me. My Suicide by  Robert William Service Ive often wondered why Old chaps who choose to die In evil passes, Before themselves they slay, Invariably they Take off their glasses? As I strolled by the Castle cliff An oldish chap I set my eyes on, Who stood so singularly stiff And stark against the blue horizon; A poet fashioning a sonnet, I thought how rapt he labours on it! And then I blinked and stood astare, And questioned at my sight condition, For I was seeing empty air He must have been an apparition. Amazed I gazed . . . no one was there: My sanity roused my suspicion. I strode to where I saw him stand So solitary in the sun Nothing! just empty sew and land, no smallest sign of anyone. While down below I heard the roar Of waves, five hundred feet or more. I had been drinking, I confess; There was confusion in my brain, And I was feeling more or less The fumes of overnight champagne. So standing on that dizzy shelf: You saw no one, I told myself. No need to call the local law, For after all its not your business. You just imagined what you saw . . . Then I was seized with sudden dizziness: For at my feet, beyond denying, A pair of spectacles were lying. And so I simply let them lie, And sped from that accursed spot. No lover of the police am I, And sooner would be drunk than not. Ill scram, said I, and leave the locals To find and trace them dam bi-focals.

Correcting Needless Sentence Fragments in Paragraphs

Correcting Needless Sentence Fragments in Paragraphs This exercise offers practice in identifying and correcting needless sentence fragments during the editing stage of the writing process. Instructions The following descriptive paragraph contains three needless sentence fragments. First, identify the three fragments, and then correct each oneeither by attaching it to an adjacent sentence or by turning the fragment itself into a complete sentence. When youre done, compare your corrected sentences with those in the edited version of the paragraph below Anthony (unedited draft) My five-year-old son Anthony is built like a little wind-up toy. His black curly hair, bushy eyebrows, a cute button nose, and chubby cheeks, which people cant resist pinching. These make him look like a life-size teddy bear. Anthony loves to wear his favorite black leather jacket with the image of Mumble the penguin on the back. And jeans with patches on the knees as a result of the holes he puts in them while crawling on the floor, pushing his toy cars around. Indeed, he is a very energetic little boy. In one afternoon, he will ride his bicycle, play video games, complete a 200-piece jigsaw puzzle, and, of course, play with his toy cars. In fact, his energy scares me sometimes. For example, that time on the roof. He shinnied up a tree and jumped onto the roof. However, he wasnt energetic (or bold) enough to climb back down, and so I had to rescue my wonderful little wind-up toy. Here is the edited version of Anthony, the descriptive paragraph that served as the model for the sentence-fragment editing exercise. Keep in mind that there are multiple ways of correcting the three fragments in the exercise. Anthony (edited version) My five-year-old son Anthony is built like a little wind-up toy.  He has black curly hair, bushy eyebrows, a cute button nose, and chubby cheeks, which people cant resist pinching.  These make him look like a life-size teddy bear. Anthony loves to wear his favorite black leather jacket with the image of Mumble the penguin on the back  and his favorite jeans, the ones with patches on the knees. The patches cover the holes that came about from crawling on the floor, pushing his toy cars around.  Indeed, he is a very energetic little boy. In one afternoon, he will ride his bicycle, play video games, complete a 200-piece jigsaw puzzle, and, of course, play with his toy cars. In fact, his energy scares me sometimes.  For example, I will never forget that time he shinnied up a tree and jumped onto the roof.  However, he wasnt energetic (or bold) enough to climb back down, and so I had to rescue my wonderful little wind-up toy.

Example of Confidence Interval for Variance

Example of Confidence Interval for Variance The population variance gives an indication of how to spread out a data set is. Unfortunately, it is typically impossible to know exactly what this population parameter is. To compensate for our lack of knowledge, we use a topic from inferential statistics called confidence intervals. We will see an example of how to calculate a confidence interval for a population variance.​ Confidence Interval Formula   The formula for the (1 - ÃŽ ±) confidence interval about the population variance. Is given by the following string of inequalities: [ (n - 1)s2] / B ÏÆ'2 [ (n - 1)s2] / A. Here n is the sample size, s2 is the sample variance. The number A is the point of the chi-square distribution with n -1 degrees of freedom at which exactly ÃŽ ±/2 of the area under the curve is to the left of A. In a similar way, the number B is the point of the same chi-square distribution with exactly ÃŽ ±/2of the area under the curve to the right of B. Preliminaries We begin with a data set with 10 values. This set of data values was obtained by a simple random sample: 97, 75, 124, 106, 120, 131, 94, 97,96, 102 Some exploratory data analysis would be needed to show that there are no outliers. By constructing a stem and leaf plot we see that this data is likely from a distribution that is approximately normally distributed. This means that we can proceed with finding a 95% confidence interval for the population variance. Sample Variance We need to estimate the population variance with the sample variance, denoted by s2. So we begin by calculating this statistic. Essentially we are averaging the sum of the squared deviations from the mean. However, rather than dividing this sum by n we divide it by n - 1. We find that the sample mean is 104.2. Using this, we have the sum of squared deviations from the mean given by: (97 – 104.2)2 (75 – 104.3)2 . . . (96 – 104.2)2 (102 – 104.2)2 2495.6 We divide this sum by 10 – 1 9 to obtain a sample variance of 277. Chi-Square Distribution We now turn to our chi-square distribution. Since we have 10 data values, we have 9 degrees of freedom. Since we want the middle 95% of our distribution, we need 2.5% in each of the two tails. We consult a chi-square table or software and see that the table values of 2.7004 and 19.023 enclose 95% of the distribution’s area. These numbers are A and B, respectively. We now have everything that we need, and we are ready to assemble our confidence interval. The formula for the left endpoint is [ (n - 1)s2] / B. This means that our left endpoint is: (9 x 277)/19.023 133 The right endpoint is found by replacing B with A: (9 x 277)/2.7004 923 And so we are 95% confident that the population variance lies between 133 and 923. Population Standard Deviation Of course, since the standard deviation is the square root of the variance, this method could be used to construct a confidence interval for the population standard deviation. All that we would need to do is to take square roots of the endpoints. The result would be a 95% confidence interval for the standard deviation.

Environment Factors Paper Research Example | Topics and Well Written Essays - 1000 words

Environment Factors - Research Paper Example A business environment is the collection of factors that affects the operations of a business. Business environment can further be categorized into external and internal factors. The success of a company is evaluated by its ability to utilize its business environment. This paper will, therefore, analyze the business environment of the Coca-Cola Company. The Coca-Cola success story begun in Atlanta, Georgia, before the drink became a major drink in the global market (Stonebtb, 2010). Venturing into the global market created a new set of problems for the company that could only be overcome through an appropriate combination of various factors within its business environment. Global marketing involves complex processes due to the number of parties involved in the distribution of goods and services. Global economic interdependency is viewed as a remedy to the complexity of international trade. Currently, Coca-Cola has associate firms in different countries that market or produce Coca-Col a products. This phenomenon is a form of international interdependence. International interdependence is, however, subjected to international business law and restrictions. Most countries have laws or policies that are aimed at protecting local businesses and industries. These laws are meant to create a balanced relationship between foreign companies and the mother company. Global interdependence has also contributed to the growth of the Coca-Cola Company by enabling it to acquire a firm foundation within host countries. On the other hand, trade practices and policies regulate relationship between beneficiary firms and the mother company by ensuring equitable distribution of proceeds. Demographic and physical infrastructures of a firm have a great impact in the development of a company. Currently the company has various brands that are associated with different demographic groups within a given society. Different packaging and flavors of soft drinks produced by the company identifiy these brands. The company has different packaging for various groups within the society. Different packaging and brands names are also associated with different genders within different societies. Consequently, different flavors of soft drinks produced by the company define the demographic characteristics of the consumers. These demographic infrastructures strengthen the company’s brand. In addition, the company demographic infrastructure creates or enables the customers to identify themselves with various brands that the company produces. Coca Cola’s physical infrastructure includes production facilities and units in different countries across the globe. The company has also a satellite connected communication facility that alleviates global communication and networking. Due to its scope of operation, the company considers culture as an important aspect of strategic management. The company markets its products across different cultures and this creates the needs for cultural sensitivity. In addition, the company employs a large number of employees from different cultural background. The Hofstede’s cultural dimension index has been useful to the company in determining the different roles to be assigned to members of different societies working within the company. Cultural differences within the company have, therefore, enabled the company to acquire a global

Questions Essay Example | Topics and Well Written Essays - 250 words - 38

Questions - Essay Example When sales increase and the fixed expenses remain constant, a high OL will result to very high profits since variable expenses, for instance the cost of goods sold, will increase continuously in relation to increasing sales and the company will not incur additional costs to produce the added sales. 2. Let’s say you are developing a business plan, but decide that your OL is too high. What could you do (operationally) to lower that ratio? What common technique is available to you to solve this dilemma? Increasing variable costs and decreasing fixed costs. This is because fixed costs do not change with production/sales while variables costs are very flexible and can be controlled. Ways of converting fixed costs to variable costs include: hiring temporary workers instead of permanent workers, paying hourly wages instead of monthly salaries, increasing bonuses related to profits/sales instead of basic salary, using free technology, leasing buildings and other capital assets instead of buying them and hiring outside companies to do essential work. Reilly, Chris. Break-Even Analysis- Making it Work for Your Franchise. International Franchise Association, July 2009. Web. Feb. 15, 2015.

My Friends Most Important Decision Essay Example for Free

My Friends Most Important Decision Essay Firstly, I would like to introduce my friend Jenny, who was born in China and now she is 25 years old. In 2011, she left her great job and came to the United States to pursue her master degree. Jenny decided to study in the United States and in particular at JWU because she wanted to study professional knowledge of management and have a master degree, she believe the U.S is the origin of the MBA program and JWU is famous for its hotel management program. First and foremost, after graduation, Jenny worked at the Beijing Branch of Education Service Center for about three years. She has great expectations for her career and she wants to get a high position but it’s difficult for her. She said, You can see my academic background, I never studied any business knowledge, if I want to get high promotion, to study professional knowledge of management and have a master degree is important for me. Thus, she wanted to get an MBA to get more knowledge of management and improve all kinds of abilities and help herself with her career objective. Another reason why she decided to study in the U.S. is because she believe that the United States is the origin of the MBA program. The United States MBA program pays more attention to practical skills and ability development, like communication, leadership, control, decision making, influence and entrepreneurship. She thinks studying in America can advance her career and make her more competitive in her field. She said to me, Americans Hospitality management program is very strong. Because in America , many universities are famous for this program, like: Cornell University, University of Houston, Pennsylvania State University, and the U.S. also has some famous hotel, like: Hilton Grand Vacations, New York Hotel and so on. Thus, she believes America is a good place for her to study this major. Most of all, Johnson Wales university is famous for its hotel management program. She has a friend who is currently studying hotel management at JWU, and her friend told her some advantages about this university, especially teaching resources on management is quite good. After that, she searched a lot of information on the internet, and found that JWU was suitable for her. She said, this university is career-oriented school, especially pay attention to students practical skill development, like communication, decision making, entrepreneurship and leadership ability. Many students who graduate from JWU can get into big companies like Hilton Hotel, so she believes studying at JWU can make her more competitive in the future. For these reasons and more, Jenny decided that in order to make herself more marketable that she needed to leave her job in China and move to the United States in order to learn professional knowledge and extend her education. Therefore, Jenny, my best friend, chose to study in the United States in an MBA program and in particular at JWU with a concentration in Hospitality.

William Blake uses this poem in order to convey a message to the :: English Literature

William Blake uses this poem in order to convey a message to the audience regarding childhood. He does this by using various literary and linguistic approaches throughout this piece of writing. The reader can depict that there are two voices used in this poem and they have been presented in a creative way. Blake has chosen to write six stanzas; the first three in the voice of a child, and the second three in the voice of himself. In the first three stanzas, Blake demonstrates contrasts between the feelings of the child. The first stanza is written in the first person narrative, which gives the text a more personal effect. â€Å"I love to rise in the summer morn† This opening line of this poem shows the reader the enthusiasm shared by the child. The abstract noun ‘love’ immediately gives the poem emotion. Its shows exaggeration and gives the reader a pictorial image of how the child would rise in the summer morn. However, this happy emotion is contradicted in the second and third stanzas. The author uses lexical choices such as ‘sighing’, ‘dismay’, and ‘drooping’ which shows the reader that the emotions of the voice in the opening stanzas have been reversed and the atmosphere is no longer pleasant like in stanza one. Blake uses two settings in which the scene is set in this poem. The first stanza reveals the scene as being set in the outdoor. References are made to ‘birds’, ‘winds’ and ‘sings’ which are all things associated with happiness and the outdoors. These are dynamic verbs; used to help emphasise the atmosphere and to what extent the child likes it. The second and third stanzas reveal the scene of being at school, in a classroom. â€Å"But to go to school on a summer morn† This shows us that the child is expressing his feelings towards his school life. The connective ‘But’ gives the reader the impression of uncertainty and hesitation, which strengthens the fact that the child does not enjoy school. The mood of the poem suddenly changes and the reader is made aware of the fact that the child does not enjoy the process in which he is educated. Various contrasts are made throughout the poem to symbolise the contrasting feelings of the child when in the outdoors compared to when at school. â€Å"I love to rise in a summer morn† is contrasting to â€Å"†¦ at times I drooping sit† The author has used opposing verbs in these lines, which shows the difference between what the child voice feels towards two different settings. These two sentences give the reader the impression that the child is eager to get up in the mornings to explore the outdoors

The History of Espn

$91, That’s all it cost to have ESPN incorporated back in 1978, when it was only run by three people, Bill Rasmussen, Scott Rasmussen, and Ed Eagan. Now if you take a look at ESPN today, you’ll see one of the world’s largest broadcast corporations. The History of ESPN is a long and pretty interesting story. Like stated above, the history of ESPN truly begins on September 7th, 1978, when the three founders paid $91 to have the company incorporated. After deciding to go with a 24-hour broadcasting schedule, ESPN debuted with Sports Center later that month, and then began to air a large variety of sports ranging from professional soft ball, to NCAA wrestling. Their fist dabble into a massive professional sport would be with the United States Football League, who’s games would be aired on the network. The league only survived for three years, but it gave the network the experience it needed when they gained partial rights to air Sunday Night football games, in 1987. Sunday Night Football would be on the network for nineteen years, till they switched to Monday nights. These are just the starting years to the massive behemoth that is ESPN. The 1990’s, a good a time period as any for ESPN. They gained rights to air MLB games, and also saw the founding of ESPN 2, in 1993. ESPN radio kicked of a year before ESPN 2, in 1992, making the company multi medial. 1996 saw the presence of Disney corperation, the parent company of ESPN, merge ABC sports and ESPN together. In 1997, ESPN started using SKYCAM to air it’s NHL games, and would soon put that innovative tech to use with the three other major sports leagues, MLB, NFL, and NBA. Company founders were long gone now, and things were looking really good for the future of the company.

Personal Navigation Devices

Why have Personal Navigation Devices become popular? Personal navigation devices have become so popular because some people get tired of getting lost while driving, are not proficient at reading road maps, don’t always have a navigating passenger in their car that can tell them when they have to turn, and don’t have access to a plethora of needed maps in their car. Personal navigation devices are an answer to these problems. What technologies are required to facilitate the success of PNDs? The Global Positioning System, which consists of 24 satellites orbiting the Earth, is what personal navigation devices work off of.All these satellites have atomic clocks incorporated within them to ensure accurate time keeping. Each satellite constantly sends the time and their location. The personal navigation device has a receiver that decodes the signals, a processor that uses a trilateration algorithm to calculate the location, internally stored maps that the location is compared to and a display screen for the user to see. Who are some of the leaders in PNDs? What are the likely factors that will contribute to winning in this marketplace? Some of the most popular leaders in PND are Garmin, Magellan, TomTom, and Motorola.The biggest factor that will contribute to winning the marketplace is the extra features and accessories it can offer. Some of these are music player, real-time weather and traffic data, real time lowest gas price locator, and driving feedback based on acceleration, braking and speeds. The biggest competitor to the above companies is the smartphone. Some of the above companies have tried to create them with limited success. The advantage to smartphones is that the more things something does, the desirable it is. What will be a likely future for PNDs?In order for PNDs to compete with smartphones, they’re going to need to incorporate the features that users like from smartphones. The biggest advantages PNDs have over smartphones is tha t when you commit the smartphone to navigation, you’re taking away your entertainment and communication abilities. You can’t navigate with a smartphone and talk to someone on it at the same time. One of the features a smartphone’s navigation has that PNDs don’t is a voice recognition system where all you have to say is â€Å"go to 123 Fake Street†.A GPS’s touch screen is good but will be problematic while driving when you need to pay attention to the road. A feature that some alarm clocks have is the ability to project the time image onto the ceiling. One thing a GPS feature could have is dedicating a section of the windshield to shine navigation information onto it. This information can be seen through it as long as the driver doesn’t focus on it. In some States like Minnesota, it’s illegal to mount a GPS on the windshield so drivers have to continuously look down. Personal Navigation Devices Why have Personal Navigation Devices become popular? Personal navigation devices have become so popular because some people get tired of getting lost while driving, are not proficient at reading road maps, don’t always have a navigating passenger in their car that can tell them when they have to turn, and don’t have access to a plethora of needed maps in their car. Personal navigation devices are an answer to these problems. What technologies are required to facilitate the success of PNDs? The Global Positioning System, which consists of 24 satellites orbiting the Earth, is what personal navigation devices work off of.All these satellites have atomic clocks incorporated within them to ensure accurate time keeping. Each satellite constantly sends the time and their location. The personal navigation device has a receiver that decodes the signals, a processor that uses a trilateration algorithm to calculate the location, internally stored maps that the location is compared to and a display screen for the user to see. Who are some of the leaders in PNDs? What are the likely factors that will contribute to winning in this marketplace? Some of the most popular leaders in PND are Garmin, Magellan, TomTom, and Motorola.The biggest factor that will contribute to winning the marketplace is the extra features and accessories it can offer. Some of these are music player, real-time weather and traffic data, real time lowest gas price locator, and driving feedback based on acceleration, braking and speeds. The biggest competitor to the above companies is the smartphone. Some of the above companies have tried to create them with limited success. The advantage to smartphones is that the more things something does, the desirable it is. What will be a likely future for PNDs?In order for PNDs to compete with smartphones, they’re going to need to incorporate the features that users like from smartphones. The biggest advantages PNDs have over smartphones is tha t when you commit the smartphone to navigation, you’re taking away your entertainment and communication abilities. You can’t navigate with a smartphone and talk to someone on it at the same time. One of the features a smartphone’s navigation has that PNDs don’t is a voice recognition system where all you have to say is â€Å"go to 123 Fake Street†.A GPS’s touch screen is good but will be problematic while driving when you need to pay attention to the road. A feature that some alarm clocks have is the ability to project the time image onto the ceiling. One thing a GPS feature could have is dedicating a section of the windshield to shine navigation information onto it. This information can be seen through it as long as the driver doesn’t focus on it. In some States like Minnesota, it’s illegal to mount a GPS on the windshield so drivers have to continuously look down.